This page is my attempt to correct the general lack of schematics and
technical information about Hiwatt amplifiers. One hand-drawn set of
schematics has been widely circulated, and published in both Pittman and
Weber's books. Recently, hiwatt.com in the US has posted schematics on
their website.
When they were still in business, Audio Brothers provided paper
schematics for their customers, and they looked very much like the ones
on hiwatt.com.
Each of these only captures a point in time, and as far as I know, no one
has ever analyzed and documented the differences as the Hiwatt design
evolved.
The Circuits
Dave Reeves designed amps for Sound City before and while forming Hylight.
It is very instructive to compare the early Sound City and Hiwatt circuits,
as there are many similarities.
The early Hylight amps (<#1000) included a lot of different
experiments, such as shared V1 cathodes and a cathode follower driving
the tone stack.
From ~ 1000 on, there were only a few important circuit variations in
the Hylight/Biacrown circuits, which were combined in distinct ways.
"Classic" Hiwatt Circuits
Input Stage Variations:
- The early input circuit version (Input 1) used a traditional
resistive mixer to combine the two input channels. Half of V2 went
unused.
- The later input circuit (Input 2), used both halves of V2 to do the
input channel mixing.
- The OL and LEAD input circuits (Input 3) went back to the resistive
mixer, and used the second half of V2 as an additional gain stage.
These can be easily recognized by the "flying" components on the V2
socket.
Phase Inverter (PI) Variations:
- The earlier circuit (PI 1) used a cathode-follower directly connected
to the PI circuit to both set the DC level and buffer the signal.
- The middle and later units (PI 2) capacitively coupled the last
preamp stage to the PI. The former cathode follower section now has its
input connected to a DC voltage divider, and is used strictly as a
low impedance voltage reference.
Combination I:
The earliest DRs with 4-inputs used Input 1 and PI 1. I've never seen a
schematic of this circuit, and I created this one by reverse engineering,
using detailed photos.
Combination II:
At some point, the circuit was changed to use Input 1 and PI 2 (this
version is represented by the Audio Bros and Hiwatt.com schematics). I
believe some 4-inputs were made this way (and certainly the reissues
were ;-).
Combination III:
Finally, the circuit was changed to use Input 2 and PI 2. This change was
definitely in all the 2-input heads, and is represented by the
widely-circulated freehand-drawn schematics in Pittman and elsewhere.
The OL Model (early 80's):
Biacrown's "high gain" model moved back to the Input 1 circuit (still
keeping PI 2), but used the "extra" half triode as an additional gain
stage.
The LEAD Model (early 80's):
This was basically the same as the OL model, but with an extra level
control after the extra gain stage, which was marked "Overdrive" on the
front panel,
Which sounds best? Haven't tried 'em all, but I suspect there's
relatively little difference overall. It seems to me that the Hiwatt
"sound" mostly comes from the unique TMB tone circuit and perhaps the
unusual Presence circuit, which didn't really change. The Partridge
transformers and the distinctive PI circuit contribute, but these did not
change either. I think you'd be hard pressed to tell the difference in a
double-blind test.
It was very interesting to me to note how much of the Hiwatt character
was captured by DST Engineering's "MarWatt" design, with a Hiwatt-like
input stage and TMB circuit, but using cathode-biased EL84 outputs,
no presence or NFB, and a normal PI and iron. I never heard the ax84
"lowatt" design, but I'll bet this also captured a lot of the character.
I eventually did build
one or these.
Note: Many of the diagrams below are available in both PDF and GIF
form. In general, the former is better for printing and the latter is
better for viewing.
Layouts
(Preamp tagboards are 1.75 x 11.75 inches)
- Early 70's four-input tagboard (GIF)
Annotated
version (functional labels for all parts)
- Mid 70's four-input tagboard (GIF)
- Late 70's two-input tagboard (GIF)
- Early 70's four-input preamp layout, rev 1.4
(PDF)
(GIF)
- Mid 70's four-input preamp layout, rev 1.3
(PDF)
(GIF)
- 70's DR103 power amp layout, rev 1.2
(PDF)
(GIF)
- 70's DR504 power amp layout, rev 1.0
(PDF)
(GIF)
- Early 70's DR103 layout COMPLETE, rev 1.0
(PDF)
- Early 70's DR504 layout COMPLETE, rev 2
(PDF)
My Schematics
Preamps
Note: unless otherwise indicated,
- All resistors were 1/2 watt carbon film.
- All coupling capacitors were 400v polyester film-and-foil
Late 60s Sound City/Hiwatt Preamp, rev 1.1 -
This was a CP103 precursor. |
PDF |
GIF |
Late 60s DR506 Bass Preamp, rev 1.0 |
PDF |
GIF |
Late 60s Four-Input Preamp (I), rev 1.1 |
PDF |
GIF |
Late 60s Four-Input Preamp (II), rev 1.1 |
PDF |
GIF |
Early 70s Four-Input Preamp, rev 2.0 |
PDF |
GIF |
Early 70s Linked-Input Preamp, rev 1.0 |
PDF |
GIF |
Early 70s Linked-Input Preamp, rev 2.0
(courtesy of G.M.Flore) |
PDF |
GIF |
Early 70s "The Ox" Preamp, rev 1.0a - J.E.'s CP103? |
PDF |
GIF |
Mid 70s Four-Input Preamp, rev 1.4 |
PDF |
GIF |
70s Two-Input "Jimmy Page" Preamp, rev 1.3 |
PDF |
GIF |
Late 70s Two-Input Preamp, rev 1.3 |
PDF |
GIF |
Late 70s STA-Series Slave Preamp, rev 1.0 |
PDF |
GIF |
Early 80s Two-Input "OL" Preamp, rev 1.0 |
PDF |
GIF |
Early 80s Two-Input "SAP" Preamp, rev 1.0 |
PDF |
GIF |
Early 80s Two-Input "LEAD" Preamp, rev 1.0 |
PDF |
GIF |
Early 80s Four-Input DR405 Preamp, rev 1.1 |
PDF |
GIF |
CP103 Preamp, rev 1.1 |
PDF |
GIF |
Reissue CP103 Preamp, rev 1.1 |
PDF |
GIF |
Unusual Preamp Variants
Hiwatt Preamp S/N 727
(courtesy of Stuart C.) |
|
JPG |
Hiwatt Preamp S/N 903
(courtesy of Clayton C.) |
PDF |
GIF |
Hiwatt Preamp S/N 1489
(courtesy of Stuart C.) |
|
JPG |
Output Stages
Late 60s DR506 50 Watt Output Stage, rev 1.0 |
PDF |
GIF |
DR504-style 50 Watt Output Stage, rev 1.2 |
PDF |
GIF |
DR103-style 100 Watt Output Stage, rev 1.1 |
PDF |
GIF |
DR201-style 200 Watt Output Stage (6 x EL34 version) rev 1.3 |
PDF |
GIF |
DR201-style 200 Watt Output Stage, (4 x KT88 version) rev 1.4 * |
PDF |
GIF |
DR405-style 400 Watt Output Stage, rev 1.4 |
PDF |
GIF |
Power Supplies
DR506 (50 Watt) Power Supply, rev 1.0 |
PDF |
GIF |
DR504-style (50 Watt) Power Supply, rev 1.1 |
PDF |
GIF |
DR103-style (100 Watt) Power Supply, rev 1.3 |
PDF |
GIF |
DR201-style (200 Watt) Power Supply, rev 1.4 * |
PDF |
GIF |
DR405-style (400 Watt) Power Supply, rev 1.2 |
PDF |
GIF |
Complete
Note: The revision numbers shown above are for
the drawings, not the circuits.
Scanned Schematics
Audio Brothers
|